Zwelethu Mthethwa

Born in Durban, Kwazulu Natal, South Africa
Lives and works in Cape Town, South Africa

Biographical details:

2000   Research Associate at Michaelis School of Fine Art, UCT
1994-1999 Lecturer of Photography and Drawing at Michaelis School of Fine Art, UCT
1991-1993 Customer Projects Co-ordinator for Truworths
1989 Master of Fine Arts in Imaging Art, Rochester Institute of Technology, USA
1988-1989 Assistant Co-ordinator Children's Project for Community Arts Project
1986-1987 Cultural Organiser for Department of Education and Training
1985 Advanced Diploma in Fine Arts, Michaelis School of Fine Art, UCT
1984 Diploma in Fine Arts, Michaelis School of Fine Art, UCT

Solo Exhibitions:

2006 Goldminer, Jack Shainman Gallery, New York
Maidens, Galerie Hengevoss-Dürkop, Hamburg
2005   “Ticket To The Other Side”, Gallery Hengevoss-Dürkop, Hamburg, Germany
"Women in Private Space", Gallery Andrehn Schiptjenko, Stockholm, Sweden
2004 "Lines of Negotiation", Jack Shainman Gallery, New York, NY
2003 Association For Visual Arts, Cape Town, South Africa
"New Works" Jack Shainman Gallery, New York, New York, USA
"Interior Portraits: Zwelethu Mthethwa photographs", Cleveland Museum, Ohio, USA
2002 Gallery Hengevoss-Durkop, Hamburg, Germany
Museum of Contemporary Art, St Louis, MO - USA
Marco Noire Contemporary Art, San Sebastiano, Italy
Rebirth, Art Unlimited, Marco Noire Contemporary Art, Art Basel, Basel, Switzerland
Centre National de la Photographie, curated by Régis Durand, Paris, France
Mother & Child, Marco Noire Contemporary Art, San Sebastiano, Italy
Private Spaces, Goodman Gallery, Johannesburg, South Africa
2000 Palazzo delle Esposizioni, curated by Teresa Macrì and Maria Grazia Tolomeo, Roma, Italy
Rebirth, project room, FIAC Paris, Marco Noire Contemporary Art, Paris, France
Jack Shainman Gallery , New York, N.Y., U.S.A.
1999 Project Room, Art Koln, Marco Noire Contemporary Art, Koln, Germany
Galerie Hengevoss-Dürkop, Triennale der photographie, Hamburg, Germany
Art Chicago/ At Navy Pier, Marco Noire Contemporary Art, Chicago, USA
Project Room, Marco Noire Contemporary Art, ARCO, Madrid, Spain
1998 Marco Noire Contemporary Art, San Sebastiano, Italy
Goodman Gallery, Johannesburg, South Africa
1997 Kohn Turner Gallery, Los Angeles, USA
1992 Gallery de Lyons, Cape Town, South Africa
1991 African Arts Centre, Durban, South Africa
S.A. Association of Arts, Cape Town, South Africa
1987 College Union, Rochester Institute of Technology, Rochester, NY
1986 S.A. Association of Arts, Cape Town, South Africa

Group Exhibitions:

2006 Planet Afrika. Zeitgenössische junge afrikanische Fotografie, curated by Thomas Michalak,
in coop. Bundeszentrale für politische Bildung im Rahmen "Africom"
Stationen: Magdeburg, Essen, Wittenberg, Kirkel, Frankfurt a.M., Berlin etc.
Why Pictures Now, MuMoK, Wien
Snap Judgements. New positions in contemporary african photography, ICP, NYC
Black, Brown, White, Fotografie aus Südafrika, Kunsthalle Wien, A
2005   The Whole World is Rotten, Free Radicals and the Gold Coast Slave
Castles of PAA Joe, organized by Claude Simard at the Jack Shainman Gallery, New York, USA
Venice Biennale 51st International Art Exhibition, curated by Maria de Corral And Rosa Martinez, Venice, Italy
Emergencies, at the Museo de Arte Contemporeneo de Castilla y Leon, MUSAC Leon, Spain
New Work/New Acquisitions, curated by Klaus Biesenbach and Ann Temkin, at the Museum of Modern Art, New York, U.S.A.
2004/5 Prague Biennale Common Ground: Discovering Community in 150 Years of Art, Selections from the Collection of Julia J. Norrell, curated by Philip Brookman and Jacquelyn
Days Serwer, at the Corcoran Gallery of Art, Washington D.C, U.S.A.
"Passaporto", Le Meridien Lingotto Art & Tech, Torino, Italy
"Ipermercati dell'Arte", Palazzo delle Papesse, Sienna, Italy
"Made in Africa Fotografia", Musei di Porta Romana, Milano, March, Italy
"Festival della Fotografia", British Academy, Roma, April, Italy
"Festival Couleur Café", curated by Hernau Bertiau, Tour et Taxis, Bruxelles, May, Belgium
"New Identities" Contemporary South African Art, curated by Dr Golinski and Hiekisch-Picardi. Bochum Museum, Bochum, Germany
"African Remix" - curators: Simon Njami, Jean-Hubert Martin, David Elliot, Marie-Laure Bernadac, Roger Malbert and Els van der Plas, Dusseldorf
Museum Kunst Palast - 24 July - 7 November 2004
Hayward Gallery, London - 10 February - 17 April 2005
Centre Georges Pompidou, Paris, 15 May - 20 August 2005
Mori Art Museum, Tokyo, June - September 2006
Sao Paulo Biennale, curated by Alfons Hug, Simon Njami
"Postcards from Cuba" - a selection from the 8th Habana Biennale, curated by Selene Wendt, Oslo, Norway, Henie Onstad Kunstenter
Vth African Photography Encounters in Bamako, Mali, curated by Simon Njami and Moussa Konate
Vth Bamako Encounters, "Afritudine", artistic director, Simon Njami - Musei di Porta Romama / Galleria Arteutopia, Italy; "Grenier a sel" in Honfleur
France; Kornhausforum, Berne, Switzerland
2003/4 "The Gift: Generous Offering, Threatening Hospitality", organised by independent Curators International and travelling to: Scottsdale Museum of Contemporary Art, Scottsdale, AZ
Bronx Museum of the Arts, Bronx, NY
Govett-Brewtser Art Gallery, New Plymouth, NZ
Art Gallery of Hamilton, Hamilton, Ontario
2003 "Strangers" Photography Triennale, International Centre for Photography, New York, USA, curated by Brian Wallis
Prague Biennale, Prague, Czech Republic, curated by Lauri Firstenberg
Portraiture (Every picture tells a story), Solomon Projects, Atlanta, GA
"Body And The Archive", Artist's Space, New York curated by Lauri Firstenberg
Direction des Vth African Photography Encounters, Bamako, Mali, curated by Simon Njami
Sharjah International Biennale, curated by Hoor Al-Qasimi and Peter Lewis
Istanbul Biennale, curated by Dan Cameron
8Th Havana Biennale
"Fuori Uso" 2002, Ferrotel, Pescara Italy curated by Teresa Macri, Mario Codognato and Sandra Chia
"New Aquasitions" - New works, New Directions 3: Contemporary Selections, Los Angeles County Museum of Art, Los Angeles, CA
"Cultural Crossing", Numark Gallery, Washington DC
In Situ: Portraits of People at Home, curated by Ashley Kistler. Photographs by Taylor Dabney, Tom Hunter and Zwelethu Mthethwa
Hand Workshop Art Centre, Richmond, Virginia USA
Dis/location", curated by Daniela Tilkin, Sala Rekalde, Bilbao, Spain
Centro Cultural de Maia, O'Porto , Portugal
TRADE - Wares, ways and values in world trade today, curated by Thomas Seelig, Nederlands Foto Instituut, Rotterdam, Holland
The Gift, generous offering, threatening hospitalities -Scottsdale Museum di Scottsdale, Arizona, USA
Sudafrica: la pittura, la fotografia, il cinema, Centro "Trevi", Bolzano, Italy
The Short Century, Independence and Liberation Movements in Africa 1945-1994, curated by Okwui Enwezor, P.S. 1 Contemporary Art Center, New York, USA
Shopping: Art and Consumer Culture, travelling exhibition to: Schrin Kunsthalle Frankfurt, Frankfurt-Germany
Tate Liverpool, Liverpool - U.K.
Tracing the Rainbow, travelling exhibition to: Kunst Raum Sylt-Quelle, Germany
Kulturverein Zehntscheuer, Rottenburg/Necktar, Germany
Videoarte Africana, curated by Marcel Odenbach, 25° Bienal de Sao Paulo, Sao Paulo, Brasil
Untitled, Jack Shainman Gallery, New York, Usa
Cutting Edge, ARCO Madrid, Marco Noire Contemporary Art
The Short Century, Independence and Liberation Movements in Africa 1945-1994, curated by Okwui Enwezor, travelling to: Museum Villa Stuck, Munich, Germany
Haus der Kulturen der Welt, Berlin, Germany
Museum of Contemporary Art, Chicago, IL - USA
PS1 Museum of Contemporary Art, New York, NY - USA
Africa Today:The Artist and the City, curated by Pep Subiros, Centre de Cultura Contemporania de Barcelona, Barcelona, Spain
TRADE - Wares, ways and values in world trade today, curated by Thomas Seelig, Fotomuseum Winterthur, Winterthur, Germany
"Dis/location", curated by Daniela Tilkin, PhotoEspana 2001, Circulo de Bellas Artes, Madrid, Spain
The Gift, generous offering, thhreating hospitalities, curated by GianfrancoMaraniello and Antonio Somaini, travelling to: Palazzo delle Papesse, Siena, Italy
Palazzo Candiolo, Venice, Italy
San Francisco, CA - USA
Storie contemporanee, curated by Paola Tognon, Museo Civico di Bergamo, Bergamo, Italy
I Love NY, benefit exhibition, Jack Shainman Gallery, New York, NY
A Passion for Art The Disaronno Originale Photography Collection, curated by Anne Ellegood, Heidi Zuckerman Jacobson, Lorie Mertes, Dominic Molon, traveling to:
Miami Art Museum, Miami FL
New Museum of Contemporary Art, New York, NY
Museum of Contemporary Art, Chicago, IL
University of California, Berkeley, Art Museum and Pacific Film Archive, Berkeley, CA
Boomerang: Collector's Choice, Exit Art, New York, NY
2000 Paris pour escale, curated by Laurence Bossé, Musée d'Art Moderne de la Ville de Paris, Paris, France
Museum of Contemporary Art in Sydney, Australia
A.r.e.a. 2000, curated by Gavin Younge, Kjarvaisstadir, Reykjavik, Iceland
Pusan International Contemporary Art Festival, curated by Rosa Martinez, Pusan, Korea
L'Afrique à jour in collaboration with Biennale Dakar 2000, AFAA, Lille, France
Mostra Africana de Arte Contemporanea, curated by Solange Oliveira Farkas and Clive Kellner, VideoBrasil, São Paulo, Brasil
Home, curated by Trevor Smith, Art Gallery of Western Australia, Perth, Australia
Mirades Impúdiques, curated by Rosa Olivares and Marta Gili, Fundacio La Caixa, Barcelona, Spain
Arts & Human Rights, Kwangju International Biennale, curated by Ichiro Hariu, Seoul, Korea
Dire Aids- Say Aids, curated by G. Cochrane, G. Verzotti, E. Cucco, A. Vettese, Promotrice delle Belle Arti, Torino, Italy
Foto Biennale Rotterdam, curated by Clive Kellner, Rotterdam, Holland
Biennale Dakar, curated by Hans Bogatzke, Dakar, Senegal
Simultaneous, Jack Shainman Gallery, New York - USA
Overnight to Many Cities: Travel and Tourism at Home and Away, curated by Collier Schorr, 303 Gallery, New York - USA
Fondazione Bevilacqua (avec Shirin Neshat), curated by Luca Massimo Barbero, Venezia, Italy
Camouflage, Hans Bogatzke Collection of Contemporary African Art, Bruxelles, Belgique
Il sentimento del 2000, Triennale di Milano- Photomedia Europe 1999, Milano, Italy
Liberated Voices: Contemporary Art from South Africa, Museum for African Art,
New York, New York, USA travelling to:
Austin Museum of Art, Austin, Texas, USA
Iris & B. Gerald Canto Center For Visual Arts at Stanford University, CA
The University of Arizona Museum of Art, Tucson, AZ
South meets West, curated by Bernard Fibicher, The National Museum Accra, Ghana. Travelling to:
Kunsthalle Bern, Bern, Switzerland,
Toward-Transit, New visual languages in South Africa, Pro Helvetia Art Council of Switzerland, Zurich, Switzerland
Photoespana 99: images for dignity, curated by Miguel Angel Invarato, Madrid, Spain
Site Santa Fe: looking for a place, curated by Rosa Martinez, Santa Fe, New Mexico
Goteborgs Konstmuseum, curated by Lena Boethius, Goteborg, Sweden
Rewind fast forward.Za.,curated by Bozzie Rabie,Van Reekum Museum in Apeldoorn, Holland
Project Conflux, Tendances Mikado, Luxembourg
1998 Houston Photo Festival, Texas, USA
The Klein Karoo National Arts Festival, Sasol Art Collection
A History of African Photography, La Maison Europeenne de la Photography, Paris, France
Africa, Africa, curated by Toshio Shimizu, Tobu Museum, Tokyo, Japan
Dakar Biennale, Senegal
Architecture, apartheid and after, curated by Hilton Judin, Van Reekum Museum, Rotterdam, Holland
Democracy's Images photographs and visual art after apartheid, Bild Museum, Sweden
Africa by Africa, Barbican Art Gallery, Barbican Centre, London, Great Britain
Yesterday Begins Tomorrow: Ideals, Dreams, and the Contemporary Awakening,
Center for Curatorial Studies. Bard Collegue, curated by Francesco Bonami, Annandale-on-Huston, NY
1997 National Museum of Contemporary Art, Oslo, Norway
Lift Off, Goodman Gallery, Joannesburg, South Africa
Photo Syntesis-Contemporary South African Photography, Grahamstown Art Festival
La Boheme: Noir, Primart Gallery, Cape Town, South Africa
Trade Routes: History and Geography, curated by Okwui Enwezor and Octavio Zaya, Johannesburg Biennale, EletricWorkshop, Gauteng, South Africa
Association for Visual Arts, CRAM, Cape Town, South Africa
1996 Adelson Gallery, New York, NY
Association for Visual Arts, Cape Town, South Africa
1995 World Economic Forum Group Show, Davos, Switzerland
Crosscurrents, Very Special Arts Gallery, Washington D.C., USA
Africa 95, Bernard Jacobson Gallery, London, Great Britain and Dusseldorf, Germany
Johannesburg Biennal, Johannesburg, South Africa
S.A. Association of Arts-3 Person Show, Cape Town, South Africa
1994 Crosscurrents, S.A.artists group show, Barbara Gillman Gallery, Miami Beach
S.A. artists, Ottobrunn, Germany
1993 Grand Prix International d'Arts Plastiques, International Visual Arts, Nice, France
Biennale of Illustration Bratislava, Slovan Republic
Galerie de Lyons, Cape Town, South Africa
Abidjan Biennale, Ivory Coast, South Africa
1991 S.A. Associationof Arts, Cape Town, South Africa
Daljosafat Arts Centre, Paarl, South Africa
1990 NSA Gallery, Durban, South Africa
1989 Memorial Art Museum, Rochester, NY
1988 Bethune Gallery, S.U.N.Y. Buffalo, NY
Rainbow Gallery, S.U.N.Y. Brockport, NY
1986 S.A. association of Arts , Cape Town, South Africa
Elisabeth Sneddon Theatre, University of Natal, Durban, South Africa
1985 Michaelis Gallery, University , Cape Town, South Africa


2004/5   Common Ground: Discovering Community in 150 Years of Art, Merrell Publishers, London, October 2004
Fernando Oliva, "Ripening Process", Lapiz 207, November 2004, p. 64-68
2004 Salgado, Gabriela. "8th Havana Biennial: The Bittersweet Taste of Utopia, Flash Art January 2004, p.47
Made in Africa - fotografia, curated by Michela Manservisi, Ed. Mezotte, pgg 28-33, 2004
Ves Rencontres de la Photographie Africaine, Bamako 2003, Rites sacres/Rites Profanes.
Princenthal, Nancy, "Forty Ways of Looking at a Stranger", Art in America, December 2003 pgs. 43-45
"Fast Forward on the Persian Gulf", Art in America, November, 2003 p. 87-91
The New Yorker, "Short List" September 15, 2003 P.24
Gronlund, Melissa, "Art News", New York Reviews P.116
Kimmelman, Michael, "The Gaze Turns Outward and sees Estrangement", New York Times, Friday, September 19, 2003 P.E 33
Fox, Catherine, "Portraits of dignity, in many forms" the Atlanta Journal - Constitution, Sunday, April 16, 2003, PM2
Barns, Greg, "Soft Power", Mail and Guardian, July 27, 2003
Pollack, Barbara, "When South Africa Joined the World, And the Art World", The New York Times, Sunday, March 8, p.AR 19
Gronlund, Melissa, "Zwelethu Mthethwa", ARTnews, June, p.116
"Photos by Zwelethu Mthethwa Portrays South Africa After Apartheid At The Cleveland Museum of Art", Antiques and The Arts Weekly, Feb. 2001
"Cleveland exhibit celebrates South African cultures, people" Times Leader, Feb 16
"New CMA exhibit features moving photos from pos-apartheid South Africa" Call & Post (Cleveland Edition), Weekly, January 30
Tranberg, Dan, "Zwelethu Mthethwa", Angle, p.17
Cotter, Holland, "Body And Archive", The New York Times, February, 14, p. E45
2002 Connect art.politics.theory.practice, Arts International, Inc, New York, pg 36-40
Arianna Di Genova, Ferrotel, quell'albergo ora viaggia con l'arte, Alias, page 22, No 45, 16 November.
2001 Camhi, Leslie, "Darkness Visible", The Village Voice, March p. 26, 61.
Fox, Catherine, "Face Value", the Atlanta Journal- Constitution, Friday, November 15.
Zelanski, Paul and Mary Pat Fisher, "Color", Laurence King Publishing, fourth edition, 27p.
"Art Exposed: The Guide to Open Studio", Kansa City Artists Coalition, p 4.
Perree, Rob, "Zwelethu Mthethwa", Kunstbeeld, p. 56-57.
Di Genova, Arianna, "Ferrotel, quell'albergo ora viaggia con l'arte", Alias, p. 22, no. 45.
Zwelethu Mthethwa a Sottozero, Flash Art, page 59, N°225, January
De Dominicis Daniela, Zwelethu Mthethwa a palazzo Esposizioni, Flash Art, N°226, March, page 126
Pollack, Barbara, The Newest Avant-Garde, Artnews, April, p. 124-129.
Schmerler, Sarah, Zwelethu Mthethwa, Art in America, January,p.108
Review, Museum of Contemporary Photography, Chicago Reader, July 6, Section One, p. 23.
Williamson, Sue, Staking Claims: Confronting Capetown, NKA, Fall/Winter,p.93
Mosaka, Tumelo, Liberated Voices, Contemporary Art from South Africa, NKA, Fall/Winter, p. 107
Rosa Martinez, Cityscape on New feminism, Flash Art, page 56, N°214, October
Chiara Bertola, Zwelethu Mthethwa and Shirin Neshat, Flash Art, page 119, N°221, April
Clive Kellner, Africa All Over, Flash Art International, page 57, N°212, May-June
Susanne Mayer, Out of Africa Anders, Die Zeit , page 59, N°25, June
Teresa Macrì, Dak'Art Africa, Il Manifesto, page 14, May
Heart of the fourteen artists are in Perth, The Sunday Times, January
David Bromfield, Domestic Works, Arts, February
Donna Jenkinson, Home Truths, The Sunday Time, February
Home at the Art Gallery of WA, The artist's chronicle, page 8, March
Ted Snell, Visual perspectives find a space, The Australian, page 11, February
Fresh Cream, 10 curators, 100 artists, curated by Octavio Zaya, New York Phaidon Press
Cotter, Holland, "Zwelethu Mthethwa," The New York Times, Friday, June 16, p.E33
Zwelethu Mthethwa The New Yorker, June 12, p. 18.
Zwelethu Mthethwa, The New York Times, Sunday, June 4, Art & Leisure, p. 39
Harris, Juliette, ed., The International Review of African American Art, Vol. 16, no. 4.
Carlo Basualdo and Rosa Martinez, Launching Site, Art Forum, page 39, N°10, Summer
Kerstin Hengevoss and Zwelethu Mthethwa, Zwelethu Mthethwa, catalogue Galerie Hengevoss-Dürkop, Hamburg, Germany
Octavio Zaya ,Identity Webs, Flash Art International , November
Biennale de Santa Fe, Artforum, September
Teresa Macri', Il cuore pulsante della township ,Il Manifesto, Feb.21th
Tiziana Conti, Tema Celeste, Juanuary
Guido Curto, Flash Art, Juanuary
Hollis Walker, Finding fun at Site Santa Fe, New Mexican , July 9th
Julie Graber, For art's sake, New Mexican, July 7
Ralph Rugoff, Global Art reaches Santa Fe, Financial Times, 31 July
Miguel Navrot, SF Biennal Goes Global, Journal Albuquerque, July 9th
Black Light, Art das Kunstmagazin, Germany, July , Nr.7
Michael Godby, Toward-Transit, Pro Helvetia, September
Cameron, Dan, Looking For a Place: Site Santa Fe, Artforum, November, p.140
Cotter, Holland, The New York Times, Friday, September 24.
Mitchell, Charles Dee, "Report From Santa Fe: Places of the Art,: Art in America, December, p.46-51.
Oguibe, Olu & Okwui Enzewor, ed., Reading the Contemporary: African Art from Theory to the Marketplace, MIT Press: Cambridge, MA, p. 328.
Zaya, Octavio, Zwelethu Mthethwa, Flash Art, October, p. 90.
Fuller, Natasha, ed. FNB Vita Art Prize Exhibition, Johannesburg, 1999.
1998 Jurget, N° 90, December
Toshio Shimizu, Africa Africa, exhibition catalogue Tobu Museum of Art, Tokyo, Japan
Guggenheim Magazine, Spring
Octavio Zaya, Atlantica, Desde Sudafrica curated by Okwui Enwezor, N°19
Frédérique Chapius, Les Africains, ,Telerama, N°2533, 29 July
Arts in America, June 1998
Siksi, The Nordic Art Review, N°3-4,Autumn/Winter, Stockholm
Cristina Karistam, , Sydafrica i gryningljus, Torsdag, 12 November, Stockolm
1997 Newart, December
ADA, N°13
Andre Magnin and Jacques Soulillon, Contemporary Art of Africa

Books / Catalogues:

2002   Afrikanische Reklamekunst, texts by T. Wendl, O. Frick, K. Pinther, P. Probst, page. 90-91, published by Peter Hammer Verlag, Germany
Demokratins Bilder, text by Santu Mofokeng, page. 80-89, published by Bild Museet, Umea, Sweden
Dislocation, Texts by D. Tilkin, K. Smith, page. 56-61, published by La Fabrica, Madrid, Spain
Postculture, text by Teresa Macri, page. 122-124, published by Meltemi, Roma, Italy.
Trade, texts by T. Seelig, U. Stael, M. Jaeggi, page. 272-275, published by Fotomuseum Winthertur and Scalo, CH.
Great 41, The Photographers' Gallery, Collier Schorr, London, UK
Art Journal, Spring 2002 Vol. 61, No.1, Published by College Art, New York, NY,USA, p.58-67
Marcel Odenbach ,Videoarte Africana, Catalogue 25° Bienal de Sao Paulo , publisher by Fundacao Bienal de Sao Paulo, Brasil
Reality- check, 2. triennale der photographie hamburg 2002
Tracing the Rainbow, Kunst und Literatur aus dem neuen Sudafrika, Seippel Verlag
South African Art 1850-2002, The Goodman Gallery. Micheal Stevenson. Deon Viljoen
2001 The Short Century, edited by Okwui Enwezor, published by Prestel, Munich, London, New York
Paris pour escale, Musée d'Art Moderne de la Ville de Paris, Paris, France
2000 Fresh Cream, Contemporary Art in Culture, text by Octavio Zaya, published by Phaidon , London, England
Zwelethu Mthethwa, texts by Teresa Macrì and Maria Grazia Tolomeo, Marco Noire Editore, Turin, Italy
Mostra africana de Arte Contemporanea, texts by Solange Oliveira Farkas and Clive Kellner, SESC, San Paulo, Brasil
Home, catalogue curated by Trevor Smith, Thomas Mulcaire and Gary Dufour Art Gallery of Western Australia, Perth, Australia
Mirades Impúdiques, edited by Fundació la Caixa, Spain
Dire Aids, texts by G.Cochrane, E. Cucco, G. Verzotti, A.Vettese, published by Charta, Italy
Arts & Human Rights, curated by Ichiro Hariu, Seoul, Korea
Catalogue for the Foto Biennale in Rotterdam, curated by Clive Kellner, Rotterdam, Holland
South meets West, catalogue for the exhibition in Kunsthalle Bern and at the National Museum in Accra, curated by Bernard Fibicher
1999 Monographic Book, texts by Octavio Zaya, Teresa Macri', Michael Godby,
published by Marco Noire, Turin, Italy
Jakob Lind, Sweden, South Africa, A photographic Art Exchange, Futurniture, Stockholm, Sweden
Daniela Palazzoli, Il Sentimento del 2000, catalogue for Triennale Milano, Milano, Italy
Project Conflux, catalogue for the exhibition in Luxembourg, published by The Association for visual Art, South Africa
The Alembie Spirit, limited edition of portfolio, curated by Melvyn Minnaar and published by Hard Ground Printmakers for the South Africa Brandy Foundation
Phe99, catalogue for Festival Internacional de Fotografia, curated by Miguel Angel Invarato, Madrid, Spain
"Rewind" Fast Forward, curated by Bozzie Rabie, exhibition catalogue Van Reekum Museumn in Apeldoorn, Holland
Looking for a place, The third International Biennal, curated by Rosa Martinez, Santa Fe, Usa
Herreman, Frank, ed. Liberated Voices: Contemporary Art From South Africa, Museum for African Art, New York, 1999 (exhibition catalogue)
Blank - Architecture, apartheid and after, published by Hilton Judin and Ivan Vladislavic, NAI publishers, Rotterdam, Holland.
Art in America, December 1999 edition, Report from Santa Fe, Places of the Art, p.46-51
1998 Projects rooms, catalogue for exhibition in Arco/Madrid, published by Marco Noire, Turin, Italy
Athologie de la Photographie africaine, pp. 304-307, Revue Noire, Paris, France
Blank-Architecture, apartheid and after, published by Hilton Judin and Ivan Vladislavic, NAI publishers, Rotterdam, Holland

Public collection

Kunsthalle Hamburg Germany, National Museum of African Art (Washington DC), New Museum, NY,

The Corcoran Museum Gallery of Art (Washington DC), Daimler Chrysler Collection, Wooltru (Cape Town), Cape Department

of Education Trust, Art Gallery Durban, Tatham Art Gallery ( Pietermaritzburg), Gilbey’s Ltd.,

Metropolitan Life, South African Breweries, Old Mutual, Mary and Leigh Block Gallery

(North Western University), University of the Witwatersrand, Gencor S.A. Ltd., University of South

Africa, S.A. Embassy (Washington D.C. USA), Trasnet Ldt., Pretoria Art Museum, Sanlam,

Johannesburg Art Gallery, S.A. Reserve Bank, Herdboys, Rand Merchant Bank, Smithsonian Museum

(Washington D.C. Usa), Arco Foundation (Madrid), Bouwond (Holland),

Boland Bank PKS (South Africa), LA County Museum (USA), Siemens Ltd (South Africa), ABSA Bank

( South Africa), MTN collection (South Africa), Vodacom (South Africa),

JSE - Stock Exchange ( South Africa), Stellenbosch University (South Africa), Samuel Harn

Museum, Miami (Usa), South Africa, National Gallery,

Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, LeSalle Bank, Chicago,

Museo de Arte Contemporaneo de Castilla y Leon, Madrid, Spain; Museum of Modern Art, New York;

Gugenheim Museum, New York, U.S.A., Absolut International Collection, Sweden.

Sammlung Museum Moderner Kunst Stiftung Ludwig, Wien

Special Project

Futurniture (Sweden)
Ministère Culture Communication (France)
Roggebaai Tourism Precinct - Review Committee Member
Nobel Square - Technical Committee Member
Commission for the international Absolut Collection - "Absolut Zwelethu"